Woo is a woman in control of her world. She is smart, self-confident, sophisticated and snarky. And she doesn't have any trouble attracting members of the opposite sex. But for some reason no one ever sticks around. Woo meets Tim, a paralegal who is her complete opposite. They shouldn't click. However, Woo and Tim begin to bond when a series of weird and stressful calamities hits them while they are on their first date.

Unable to conceive, a couple seeks to build a family with a young orphan, survivor of tragic childhood. But their act of love turns to horror when they realize the violence in their foster's past has returned to destroy the new family.

Anime, live action and music by cutting-edge artist Eve — all woven together into this dreamlike sonic experience inspired by the story of Adam and Eve.

A gold prospector in the desert gets lost and discovers an oasis of comely maidens.

This hourlong semi-documentary records the musical stage collaboration between director Robert Wilson and veteran performance artist Marina Abramovic. Also included is a wealth of background material about Abramovic's life and earlier works.

A 1968 event put together by The Rolling Stones. The film is comprised of two concerts on a circus stage and included such acts as The Who, Taj Mahal, Marianne Faithfull, and Jethro Tull. John Lennon and his fiancee Yoko Ono performed as part of a supergroup called The Dirty Mac, along with Eric Clapton, Mitch Mitchell, and Keith Richards.

It's all about an anonymous little gray book originating from sexually advanced Paris. The book doesn't look like much, but shouldn't be judged by its cover. Wherever this book goes, something will happen. And for sure, this book goes around.

The famous people that host "Beyaz Futbol" find themselves in a terrible situation where one man controls them. In order to be free, the Beyaz Futbol team has to do the missions that the guy gives them.

When Andrew Sterling, a successful black urbanite writer, buys a vacation home on a resort in New England the police mistake him for a burglar. After surrounding his home with armed men, Chief Tolliver realizes his mistake and to avoid the bad publicity offers a thief in his jail, Amos Odell a deal.

You don't need to look all the way to the end: there isn't one.

A decade ago, Cheung Lek was the brightest rising boxing star—known as “Golden Boy”—until a tragic incident stripped him of his freedom. Ten years later, released from prison, he comes face to face with Fong Yuen, the son he has never met. To claim the inheritance left by Fong Yuen’s mother, Cheung must learn to live with and take care of the boy. Thrust into fatherhood and confronted by past regrets, Cheung’s life is turned upside down once more. Through conflict and gradual reconciliation with his son, he begins to understand his true purpose. Confronting the ghosts of his past, Cheung decides to return to the ring—not only to reclaim his dream, but to become the role model his son deserves.

A middle-aged artist (Ben Gazarra) sketching on the beach witnesses a young woman (Ornella Muti) being rescued from drowning. He loans her a blanket. Later she returns the blanket and they have sex several times, but she always leaves right afterward, leaving the man to wonder who she is and where she goes. Things become more complicated as he begins to fall in love with her, and after his regular girlfriend (Mimsy Farmer), with whom he has a curiously open relationship, returns. He eventually begins to realize his mysterious new lover may be very much insane.

Bethânia returns to her land, where the family’s old sugar mill was built, the Wanderley Mill. Between photographs, fantastic creatures, bills to pay and workers claiming their rights to the land, Bethânia faces herself in a present where both the past and the future look menacing.

We, as a planet populated by humans with nowhere else to go, have 100 seconds left to live because humanity teeters on the brink of self-destruction. While this sounds like the start of an apocalyptic disaster movie, it is in fact, reality. The Doomsday Clock is a warning of man's ability to create something that could destroy everything, humanity's very existence, a count-down timer to the point of no return - humanity's doomsday. It symbolizes how close humans as a species, have come to destroying the world with dangerous man-made technologies. The deadline of Midnight represents the moment of Apocalypse, and how close the clock is set to that deadline warns how close humanity is to ultimate disaster. With the intention of warning the public and inspiring action, the clock's hands are set in accordance to how great is the threat of destruction. Now, in the 21st century we are closer to Doomsday than ever before.

Werner Herzog sets his sights on yet another mysterious landscape — the human brain — for clues as to why a hunk of tissue can produce profound thoughts and feelings while considering the philosophical, ethical, and social implications of fast-advancing neural technology.

When financial trouble forces Halina to call off her wedding, her friends and family decide to hatch a wild plan to bring in tourist money.

In this tumultuous comedy, five eccentric dog owners seek help in dealing with their four-legged friends. Their last hope: an intensive course with the charismatic and legendary dog trainer Nodon in the Tyrolean mountains.

Follows Boris, a charismatic tour guide who unexpectedly reunites with his estranged father Julián. Their tense and emotional encounters explore past wounds and the possibility of forgiveness.

To appease his parents' wishes, Bian marries Tari with the condition that they divorce after a year. But budding feelings threaten their plans.

After leaving a toxic relationship, Dinda embarks on a romance with Kale, whose view on love soon shatters as he wrestles with his own insecurities.

A love coach helps six different people navigate their insecurities and emotional difficulties, guiding them toward greater emotional awareness.

After the death of his beloved wife, Mr. Brady struggles to maintain a neighborhood diner in Atlanta Georgia. His few faithful waitresses have become his only family.

Schroeter’s film is a chronicle of Germany from the Nazi era until the economic boom of the 1950s and 1960s, centering on three women who search for a career as singers and dancers.